Narrated by the incarnate ghost of a deceased real hair donor. In the post-war era, the export of real hair wigs contributed to Asia’s economic development, with Hong Kong as a major hub. In its heyday in the 1960s, ‘Asian real hair’ was popular with wealthy U.S. women, but then the USA imposed an embargo on the product, now classified as ‘communist hair’. This is where the intricate and innovatively realised story begins: Starting with complex economical and sociopolitical contexts, it weaves a thread that runs through various historical and dreamlike staged levels. 　　Hong Kong was and is a space of in-between-ness — between East and West, between communism and capitalism. Perhaps that is why there are so many spooks in the city, one protagonist speculates. Just like the well-travelled ghost, an eternally wandering entity and contemporary witness of an imperial and colonialist past. (源自: Courtisane Festival 2024)

French filmmaker Eugène Green offers a playful but insightful variation on the mythos of a fairy tale in this comedy drama, in which a tale of brave knights and evil ogres is played in modern dress, with the actors speaking in contemporary slang. The Lion Knight (Alexis Loret) is a young nobleman who searches the countryside with his faithful lion companion (who happens to resemble a pet dog). The Lion Knight encounters youthful Nicolas (Adrien Michaux) while the lad takes a walk in the woods, and together they set off to find the Ogre (Arnold Pasquier), who holds young women against their will and lives by eating the flesh of young children. While the Lion Knight is hot on the Ogre's trail, Nicolas is visited by an apparition of the Maiden of the Chapel (Laurène Cheilan), who has been captured by the beast. The Maiden gives Nicolas an enchanted sword and orders him to use it to kill the Ogre; meanwhile, the Lion Knight has found the Ogre's lair, but soon falls in love with Pénélope, the monster's unexpectedly pretty and compassionate wife. Along the way, the characters also find the time to discuss the French legal system and the writings of philosopher Jacques Lacan. 　　以上为从amazon上的介绍 　　在这部童话般的故事中，年轻而富有冒险精神的尼古拉斯展开一段英雄般的旅程，结伴同行的是狮子骑士，以及他的狮子——这是一只看上去像猎犬而仍然会咆哮的狮子。 　　以上为emule上的介绍

像每年夏天一样，小莎乐美都会回到她坐落在葡萄牙山区的家乡度假。当假期在无忧无虑的气氛中开始时，她深爱的祖母却突然去世了。当大人们在葬礼上感到难过时，莎乐美却被那个被认为是女巫的人的灵魂所困扰。

A film-ballad about the dramatic lives of people living in a village in the Orava region during WW I, mainly the story of Eva Hlavajová, a young woman who, after her husband had to join the army, lives by herself in the times of hunger and poverty. Her hard life ends up in a tragic death which is one of the reasons for the revolt of the people against the unbearable conditions in the village.

斯诺使用了一台能够执行横摇、摇臂镜头和其他运动的多重组合的机器，拍摄了一块岩石荒地。

一位婚姻陷入僵局的导演正在为她的首部电影举行选角面试。她选定的女主角遭到了其父亲的反对，这引发了一系列的混乱。这是一部雄心勃勃的伊朗电影，它对电影的本质提出了质疑。

一位婚姻陷入僵局的导演正在为她的首部电影举行选角面试。她选定的女主角遭到了其父亲的反对，这引发了一系列的混乱。这是一部雄心勃勃的伊朗电影，它对电影的本质提出了质疑。

这是一个平凡的四口之家，所经历的令人慨叹哀婉的动人故事。在那个冬天的早晨，一向热爱运动的女主人吉冈柊子（吹石一恵 饰）被从未有过的疼痛所侵扰，这成为厄运的开端。柊子被诊断罹患晚期乳腺癌，此时的生命已经所剩无几。她震惊而悲伤，无比担心一双儿女亚衣（渡邉このみ 饰）和由宇（五十岚阳向 饰）的未来。一相忙于工作的丈夫贤一（青木崇高 饰）悔恨交加，发誓一定要治好妻子的病。然而命运的捉弄并未就此停止，不久贤一被宣判罹患肺癌，前所未有的危机一股脑地砸在了吉冈夫妇的头上。他们咬紧牙关，紧紧搂住可怜的孩子，与残酷的命运做着最后的抗争…… 　　本片根据芽生以自身经历创作的《私、乳がん。夫、肺がん。39歳、夫婦で余命宣告。》改编。

在汉城市，麻蒲区桃花洞的一个小镇，爱淑生活在那里，爱淑为了一家五口人的生活，18岁就出来在酒店做一个陪酒女……